IF I had an enemy whom I hated — which Heaven forbid! — and if I knew of something which sat heavy on his conscience, I think I would introduce that something into a Posting-Bill, and place a large impression in the hands of an active sticker. I can scarcely imagine a more terrible revenge. I should haunt him, by this means, night and day. I do not mean to say that I would publish his secret, in red letters two feet high, for all the town to read: I would darkly refer to it. It should be between him, and me, and the Posting-Bill. Say, for example, that, at a certain period of his life, my enemy had surreptitiously possessed himself of a key. I would then embark my capital in the lock business, and conduct that business on the advertising principle. In all my placards and advertisements, I would throw up the line SECRET KEYS. Thus, if my enemy passed an uninhabited house, he would see his conscience glaring down on him from the parapets, and peeping up at him from the cellars. If he took a dead wall in his walk, it would be alive with reproaches. If he sought refuge in an omnibus, the panels thereof would become Belshazzar’s palace to him. If he took boat, in a wild endeavour to escape, he would see the fatal words lurking under the arches of the bridges over the Thames. If he walked the streets with downcast eyes, he would recoil from the very stones of the pavement, made eloquent by lamp-black lithograph. If he drove or rode, his way would be blocked up by enormous vans, each proclaiming the same words over and over again from its whole extent of surface. Until, having gradually grown thinner and paler, and having at last totally rejected food, he would miserably perish, and I should be revenged. This conclusion I should, no doubt, celebrate by laughing a hoarse laugh in three syllables, and folding my arms tight upon my chest agreeably to most of the examples of glutted animosity that I have had an opportunity of observing in connexion with the Drama — which, by-the-by, as involving a good deal of noise, appears to me to be occasionally confounded with the Drummer.
The foregoing reflections presented themselves to my mind, the other day, as I contemplated (being newly come to London from the East Riding of Yorkshire, on a house-hunting expedition for next May), an old warehouse which rotting paste and rotting paper had brought down to the condition of an old cheese. It would have been impossible to say, on the most conscientious survey, how much of its front was brick and mortar, and how much decaying and decayed plaster. It was so thickly encrusted with fragments of bills, that no ship’s keel after a long voyage could be half so foul. All traces of the broken windows were billed out, the doors were billed across, the water-spout was billed over. The building was shored up to prevent its tumbling into the street; and the very beams erected against it were less wood than paste and paper, they had been so continually posted and reposted. The forlorn dregs of old posters so encumbered this wreck, that there was no hold for new posters, and the stickers had abandoned the place in despair, except one enterprising man who had hoisted the last masquerade to a clear spot near the level of the stack of chimneys where it waved and drooped like a shattered flag. Below the rusty cellar-grating, crumpled remnants of old bills torn down, rotted away in wasting heaps of fallen leaves. Here and there, some of the thick rind of the house had peeled off in strips, and fluttered heavily down, littering the street; but, still, below these rents and gashes, layers of decomposing posters showed themselves, as if they were interminable. I thought the building could never even be pulled down, but in one adhesive heap of rottenness and poster. As to getting in — I don’t believe that if the Sleeping Beauty and her Court had been so billed up, the young Prince could have done it.